Wunderkammer, Cornell, and the Visual Canon of Arrangement
Susan H. Delagrange
http://www.technorhetoric.org/13.2/topoi/delagrange/index.htm
Designing constructive digital media—a process of mapping and remapping our physical and conceptual worlds in order to determine their meaning.
Techné | Wunderkammer |
Any form of productive arts that occupies a middle ground between theory and practice. | A form of learning—an intermediate, highly particular state akin to a sort of suspension of the mind between ignorance and enlightenment that marks the end of unknowing and the beginning of knowing.
|
“Critical wonder” | Wunderkammern |
a process through which digital media designers can thoughtfully and imaginatively arrange evidence and articulate links in a critical practice of embodied discovery | A practice of building cabinets of wonders |
Other key terms of the visual canon of arrangement:
- Scale
- Taxonomies
- Manipulation (measure, cut, weigh, balance etc.)
- Multiply lenses
- Visual synecdoches
- Multilinearity
- Associative, analogical thinking
- Combinational practices of emotion and reason
- Visual analogy
- Visual tropes (metaphor/metonymy/synecdoche, hyperbole, antistasis, catachresis, homologies)
Critiques:
1) Images are inherently manipulative;
2) The particularity of bodies of evidence may lead to affective and emotional argument
3) Logocentrism
Sorry for the messed-up format.I tried.
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